![]() The Supersuckers — from left, Dan "Thunder" Bolton, Eddie Spaghetti, Rontrose Heathman and Scott Churilla — are, as Spaghetti puts it, "a Tucson band that moved to Seattle." Stephanie Neal / www.supersuckers.com
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In their own wordsTucson, Arizona | Published: 08.30.2007
Take this long weekend and submerge yourself in four decades worth of Tucson music, nationally renowned out-of-town acts and the best in under-the-radar indie films. In the biggest event Club Congress will host all year, music veterans like the Supersuckers and the Bob Meighan Band are returning to Tucson, joining the best of new local music and rising national acts like Okkervil River and the BellRays.
Eddie Spaghetti
Who: The Supersuckers' lead singer and guitarist.
Age: "I'm pretty old."
Quickly: The Supersuckers have a song called "Goin' Back to Tucson," off the group's 1999 album, "The Evil Powers of Rock and Roll."
One lyric goes: "Going back to where I once belonged."
Talking to Spaghetti, though, you get the feeling the band never really felt that way.
It's tough to argue the Supersuckers' late 1989 move to Seattle, becoming one of the early signings of the famed Sub Pop record label and developing a cult following that exists today.
The group returns to the HoCo Festival, ready to "rock your pants off."
Plays: 11:30 p.m. Friday on the Class of '87 stage.
How did you get the title "Greatest Rock 'n' Roll Band in the World"?
"It just got handed down to us. It came on a certificate in the mail, I believe from the rock 'n' roll gods, and we've hung it proudly on our mantel ever since."
You guys have a T-shirt in your store that has the Arizona flag across the United States. Are you nostalgic for your Tucson roots, because I thought you guys were a Seattle band now?
"We're pretty much a Seattle band now, but we do pine for our time in Tucson somewhat. We definitely enjoyed it there. We have fond memories of living and growing up there."
What was the thinking when you guys moved to Seattle at the time ('89)?
"We thought we'd move there and be the best band that Seattle's ever seen. 'Who's Seattle? What's Seattle got?' you know? That was our thinking at the time. We had no idea that there was a vibrant scene going up here already. And we thought we were going to go up here and blow everybody's mind."
Do you think you would have still had the success you did had you stayed here?
"I don't know that we would have achieved what we've been able to achieve by moving here. We just didn't see things the way we wound up seeing them when we moved to Seattle. We didn't see it as 'You can do it your own way, you can do it yourself.' Although bands in Downtown Tucson were doing that, we didn't really see that. We grew up on the East Side."
Were there things you felt Seattle could offer you that Tucson couldn't, like a new perspective or a new start?
"Yeah. And the fact that we could wear our leather jackets year-round."
What are you expecting when you come back for the HoCo Festival?
"It should be good. We're expecting it to be awesome. We're expecting nothing less than awesomeness."
In the end, are you a Tucson band or a Seattle band?
"I think in the end we're a Tucson band that moved to Seattle."
Bob Meighan
Who: Singer and guitarist for the Bob Meighan Band.
Age: 56.
Quickly: From Tucson via Phoenix and begun in 1972, the Bob Meighan Band combined a variety of music styles, including rock, classic country and R&B, drawing upon artists like The Byrds, Buffalo Springfield and Jackson Browne.
The band eventually signed to Capitol Records and moved to Los Angeles. It continued on through the early '90s, when it broke up.
It hasn't played onstage as the the Bob Meighan Band since then . . . until now.
Plays: 9 p.m. Saturday on the Class of '77 stage.
So the Bob Meighan Band relocated to Tucson in 1974? Where were you guys before that and why Tucson?
"We formed that band in Tempe, Arizona. . . . We scouted a few cities, and Tucson just seemed to have so many opportunities to play per the size of the town. It was kind of unbelievable. It was like on every corner there was a bar with a band. The other thing was, we were all hikers and outdoor guys. . . . We were really attracted to the Sonoran Desert. So we moved and boy, that was kind of it. We felt at home here."
How did the Tucson music scene help you guys?
"There were a lot of good, high-quality bands. There were in Phoenix, too, but this scene was real different. The scene here was closer to what we liked, which was a combination of rock with country and blues."
Was there a real music community down here yet?
"I think that there was. . . . Everybody was listening to one another, and there were so many bands playing. . . . For the size of the town, we were astounded."
You guys got signed by Capitol Records in the mid-'70s before moving to L.A. How big of a deal was getting signed by a major label at the time for you guys?
"It was huge. In those days, that was the only way to do it. There were no indies. You either got signed by a big label, and there were few of them, or you didn't get a record out. . . . For the millions of bands that existed, to get one of those deals was highly, highly, highly coveted. And I might add, highly stressful. The thing that struck me about it was, you had your entire life to write your first album and six months to write your second. . . . For me, though, it was a childhood dream."
You're now living back in Phoenix?
"I live in Phoenix and I've been here for 15 years. I'm in the field of behavioral health."
Why did you decide to come back and play the HoCo Festival?
"(Club Congress entertainment director) David Slutes talked me into it. He seemed to have a good idea, and I appreciated his understanding of that period of Tucson. . . . I work in the medical field and I run into doctors all the time who went to the U of A. They're real straight, respectable, wealthy guys now, and they go, 'Yeah, man, I can remember, I passed out at the Pawnbroker watching you guys. It was great.' They still got the hippie-party thing in them somewhere, or at least they remember it."
Michael Toubassi
Who: HoCo Festival co-director.
Age: 33.
Quickly: Toubassi premiered his documentary "High and Dry: Where the Desert Meets Rock 'n' Roll" at Club Congress' first HoCo Festival three years ago.
He's also the president of the Los Angeles-based Upstairs Film multimedia production company and in charge of the film portion of the HoCo Festival.
Toubassi said he's excited about the entire film lineup, including the roller-derby documentary "Hell on Wheels," "The Adventures of Prince Achmed" as scored by Friends of Dean Martinez, and short films like "Move Me."
Toubassi will also be premiering a music video he did for the local band Love Mound.
What's the idea behind the film half of the HoCo Festival?
"Our focus is on music-related content and films, as well as films and filmmakers from the Southwest. The 'Southwest' being Austin to L.A."
How and why were the films selected?
"We have a selection committee that reviewed the films and they were rated. And we narrowed down and picked films from that. We tried to get a wide range of film types, but since the film festival really started with "High and Dry," music films have really dominated the lineup."
Do the films selected try to correspond with the spirit of the festival?
"Yeah, when we're getting the films, we're definitely looking at the bands in the films, but sometimes that works out, sometimes that doesn't. . . . Really, the festival is the past, present and future of the Tucson music scene and now the film scene, too."
What do you see for the future of the film part of the HoCo Festival?
"We got a lot of great submissions and we wish we had more time to have more films. So I'd like to see it grow so we can have more films. . . . Just having more bands and venues I think would be great. I just see it being in more theaters and more time slots."
Gerard Schumacher
Who: Drummer for the Weird Lovemakers.
Age: 39.
Quickly: You know HoCo Festivals mean a lot to Schumacher.
He met his wife, Johanna, when the Weird Lovemakers played the first HoCo.
The Weird Lovemakers were a wild punk band back in the mid-'90s that has released four full-length albums, as well as appearing on several compilations.
Schumacher still lives in Tucson, but he plans on moving with his wife back to his native Australia at the end of this year, making this weekend the last time the Weird Lovemakers will take the stage . . . probably.
Plays: Midnight Sunday on the Class of '97 Stage.
What year did the Weird Lovemakers get started in Tucson and what was the music scene like back then?
"That was in 1994. That was in the days of the DPC (Downtown Performance Center); it's now the Mat Bevel Institute, but they don't really have rock shows there anymore. I was talking with (guitarist) Jason (Willis) the other day and we kind of wanted to call that the "Superchunk" days of the music scene. What I mean is it seemed like all the local bands kind of had this Superchunk ideology. The sort of DIY, where nobody wanted to be on a major label. . . . The DPC really supported that scene. . . .
"It was fun times; there were lots of bands. . . . There were also lots of house parties in those days, before the whole "orange sticker" thing really got going.
(In Tucson, police will affix an orange sticker or "red tag" in the front window of a house deemed unruly; the notice must remain visible for 180 days.)
"Now orange stickers have killed rock music in Tucson....Then again, I don't get invited to house parties anymore because I'm the 'creepy old guy.' "
This will be the last Weird Lovemakers show. How do you feel about that?
"A little weird, a little nostalgic. I've played several 'last shows ever,' so I don't think it has any sadness. It's more glee: one more time around the merry-go-round."
What can people expect for the last show?
"Surprises. . . . surprised that a bunch of old guys can get up there and embarrass themselves one more time. Maybe that's the biggest surprise of all."
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