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Last week, Michael Jackson, "The
King of Pop," died after suffering
cardiac arrest. He was 50, and
preparing start a series of
comeback concerts.

Jackson's musical
accomplishments were many,
including the hits "Bad," "Billie
Jean," "Thriller" and "Shake Your
Body (Down to the Ground)." His
1982 album "Thriller" is the
best-selling album of all time.

He collaborated with Paul
McCartney, Quincey Jones, and
his sister, Janet Jackson.

He invented the moonwalk.

And while his behavior later in life
was bizarre, we prefer to focus
on the positives, like Jackson's
music, and his charity work.

In one instance, the two
overlapped. Jackson co-wrote the
charity single "We Are the
World," which was released
worldwide to aid the poor in
Africa and the United States.

Tell us who co-wrote the song for
a chance to win an audio book.

Click here to submit your
answer.

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Keith Micracle sings as Steve Truckin' plays guitar in the background on Fourth Ave. Saturday night, Sept. 23, 2006.
Chris Richards / Arizona Daily Star
More Photos (3):
'Fiddlin' ' Phoenix Michael
Born in Washington and raised around the country, Michael transferred to the University of Arizona three years ago to study American Sign Language.
Age: 32
Instrument: Fiddle
Day job: Works with students at Arizona State Schools for the Deaf and the Blind.
Favorite spot: In front of the Food Conspiracy Co-op on North Fourth Avenue.
Best tip: Kisses from a bunch of women on New Year's Eve, a euro and a two-dollar bill.
Most requested song: "The Devil Went Down to Georgia"
Stuart 'Dusty Squirrelfisher' Oliver
Oliver's first busking experience was at age 14 on the streets of Quebec City, where his father was a teacher.
A Georgia native, Oliver moved here with his wife, Kay Toye, a year ago. The two have their own group, Feta and Shiraz, and will be performing at the Hut at this year's Club Crawl Oct. 7.
Age: 28
Instruments: Mandolin, harmonica and guitar
Day job: Sound tech and booking manager for the Hut
Favorite spot: Food Co-op
Best tip: Candy cigarettes
Most unusual request: Death metal songs
Keith Miracle
Age: 47
Instruments: harmonica, mandolin, clarinet and ukulele
Day job: Founder of Miracle Melodies Singing Telegrams
Can be found: On Saturday evenings in front of Kanella's Shoes and Boots.
Most unusual tips: a sandwich, a hemp rose, guitar picks
When Keith Miracle isn't jamming with Steve "Truckin' " Weitz in front of Kanella's, he is the head of his own singing telegram service and has been for the last 20 years.
Miracle says he has delivered more than 3,000 telegrams as an assortment of characters: Elmer the Dancing Cow, Rodeo Roy the Singing Cowboy and Mr. Cool Breeze, to name a few. He hopes one day to reach 5,000.
The former Flowing Wells High School student has enjoyed music all of his life and has lent his voice to choirs, barbershop quartets, choruses and rock bands all around town.
He likes to think of his street performing gigs as social events.
"You never know who is going to walk by," Miracle said. "It is always interesting to see the people's reactions going down the street. That's what I like to do — play a little music and meet some different folks."
Matthew Abney of the Can Crushers
Age: 23
Instruments: Buckets, cans, pie pans, anything else that makes a banging sound
Day job: Fourth-grade teacher at Esperanza Elementary School
Can be found: Outside after major events. Favorite spots include the Tucson Music Hall, Tucson Electric Park, Centennial Hall and the Gaslight Theatre. Listen online at www.myspace.com/cancrushers
Most unusual request: Iron Butterfly's "In-A-Gadda-Da-Vida"
Crowd favorite: The Surfaris' "Wipeout"
Most cash made: $200 at the Fourth Avenue Street Fair
Abney, at left in photo, is quick to tell you where his "Stomp"-like street percussion group gets the most attention.
"In front of any kids' shows," he says, citing events like Dora the Explorer and the Wiggles concert. "Those shows are packed with kids, and they love it. Parents need to peel them away."
The trio uses trash cans and other household objects to perform music.
"Everyone has their own take on what we are doing," Abney said. "Some people see it as art. Some are just curious because they've never seen household items used like this before. They don't know anything about the music, but they are compelled to listen."
Christopher Keefer
Age: 21
Instruments: banjo and fiddle
Day job: Assistant at a school for mentally disabled adults
Can be found: Daily in front of the Food Co-op, 412 N. Fourth Ave.
Most requested songs: "Rocky Top," "Man of Constant Sorrow" and the theme song from "Deliverance," none of which Keefer can play
Best night's earnings: $160 in one afternoon playing on Nashville's Music Row ($100 on New Year's Eve in Tucson)
Once a member of the Ramblin' Ales, Christopher Keefer has just returned from a six-month busking expedition to North Carolina with his friends. His mission: to study the fiddle and banjo music of the Appalachian Mountain region.
He managed to get his old job back working at a school for mentally disabled adults, but until that first paycheck rolls in, the young performer is singing for his supper and living out of his cream-colored camper van on Fourth Avenue.
"We went down to Nashville and stayed there for about three weeks," Keefer said, recalling his busking adventures back East. "The main drag in Nashville is full of cheesy honky-tonks that people come to see because it is Nashville. It is funny because tourists thought we were from the area. They would say, 'Look! Real hillbillies.'
"Eventually, I want to start playing out a lot more at a lot of different places here in town. It sharpens your performance skills and teaches you to sing loud and catch people's attention."
Steve "Truckin' " Weitz
Age: 51
Instruments: guitar and vocals
Day job: employee for a commercial cleaning business
Can be found: Saturday nights in front of Kanella's Shoes and Boots, 338 N. Fourth Ave.
Song stylings: Bob Dylan, Rolling Stones and other covers, with a twist. "Everything is done in my own particular style," Weitz says. "I take songs as suggestions."
Best night's earnings: $30, which Weitz split with Miracle.
If Steve Weitz's life ambition was to become a street musician, he certainly was born in the right place: New York City.
Weitz grew up in Brooklyn and started playing guitar after dropping out of high school at age 16.
"I didn't take right to it," Weitz said. "I was told the only way to develop at all was to practice, practice, practice. From then on, my guitar was attached to me. I got very accustomed to playing outside in front of people; in the subway station, on the subway; in store doorways."
Weitz eventually moved on to other popular busker cities, places like Cape May, N.J., and New Orleans. He finally found his way to Tucson, where he has firmly ensconced himself in Fourth Avenue's street musician scene.
He can be found most Saturday nights performing with multi-instrumentalist Keith Miracle.
"I'm an attention monger," Weitz said. "The money we make is peanuts, so that is definitely not why we do it. I do it for the excitement and fun. I can play in my living room, but after a couple of songs I get bored. The energy isn't there without someone to entertain."
Five things every street performer needs to know:
• Keep something heavy in your tip jar to protect loose bills from those dusty desert winds.
• Find a hot spot worthy of your time. Whether you are in it for the money or the attention, you will probably find more of both on North Fourth Avenue than in the alley around the corner.
• Pick your performance times wisely. Many performers are on the street either right after people get off from work or during prime party hours on the weekend.
• Always get an OK from the establishment you are performing in front of. Some are cool with it; others are not. The city has no ordinances specifically pertaining to street performers.
• Learn Lynyrd Skynyrd's "Free Bird." All of the street performers we talked to said that request has come up at one time or another.
All Souls Procession is for everyone
One of the best aspects of Tucson's All Souls Procession — the elaborate, annual two-mile-long parade that honors the dead and celebrates life with painted faces, giant puppets and more than 7,500 participants — is that you can join right in.
The event has expanded by leaps and bounds since its humble beginnings 16 years ago. This year's festivities will span five days — Nov. 1-5 — and feature a Dance of the Dead Fundraiser (Nov. 3), a fine-art photo exhibit at the Fox Theatre (Nov. 2) and a "Procession of the Little Angels" event for kids at the Joel D. Valdez Main Library, Downtown (Nov. 4).
Here's how to get involved:
• Photos of past All Souls Processions and Día de los Muertos celebrations can be entered into a contest judged by Terry Etherton.
Winners will take home $100, $50 and $25, respectively, and select works will be displayed at the photography exhibition. Entry fee is $25, and the deadline is Oct. 8. Visit allsoulsprocession.org/ photoexhibit_guidelines.html.
• Photo and mementos of loved ones are being accepted for the Evolving Community Altar, which will be on display at El Centro Culturo de Las Americas, 40 W. Broadway, Nov. 1-5. E-mail community altar@allsoulsprocession.org to schedule a drop-off time.
• Photos of loved ones also will be accepted for the Ancestors Project, which projects images of the dead on walls during several events, including the procession's grand finale. E-mail photos or request more information at ancestorsproject @allsoulsprocession.org.
• Tucson Puppet Works, 520 N. Ninth Ave., is offering free workshops from 6 p.m.-9 p.m. every Tuesday and Thursday through Nov. 2 on how to make your own mask, big-head puppet or human-powered float.
• Urn project: Send all of your blessings, dreams, wishes, hopes and photos of loved ones to be burned in the All Souls Procession's grand finale Nov. 5 to urn@allsouls procession.org.
• Register to create personal altars to be displayed at the "Procession of the Little Angels" on Nov. 4 . More details at allsoulsprocession. org/participate.html.
• Attend Saturday's Kaboom All Souls fundraising event at Nimbus Brewery, 3850 E. 44th St., featuring fire artists Flam Chen, Elemental Artistry, Tucson Puppet Works, the Molehill Orkestrah and others. The performance begins at 8 p.m., and admission is $10, with discounts available. 745-9175.
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Street performers enliven Old Pueblo

Musicians enjoy stepping onto a sidewalk stage, cutting loose
By Gerald M. Gay
ggay@azstarnet.com
Tucson, Arizona | Published: 09.28.2006
"Well, me and my gal we went Downtown
Sail away, ladies, sail away
Went to buy a ten-dollar gown
Sail away, ladies, sail away"
A small crowd forms on North Fourth Avenue as two guys in beat-up old hats begin playing their vintage instruments.
The traditional Americana tune is given a vigorous workout by Phoenix Michael and Stuart Oliver, whose stage is the sidewalk in front of the Food Conspiracy Co-op.
As the afternoon sun beats down on Oliver, wearing a plaid button-down, and Michael, with his vintage handlebar mustache, people can't help but stop and listen.
A pregnant mother looks on as her two girls spin like tops to Oliver's double duty on the mandolin and harmonica.
Two tweens stand off to the corner of the audience transfixed on every note and movement, while a college student in khakis and a striped orange T-shirt stomps his foot with the beat.
"It's like making the streets light up with music," says Michael. "It turns walking down the street into a very different experience."
Welcome to the wide world of street performing, or busking, Old Pueblo-style.
Tucson's North Fourth Avenue shopping district has long been the place to be for street musicians.
The foot traffic from shoppers, folks in the neighborhood and students from the University of Arizona makes it a perfect atmosphere for musicians to have their voices heard. It's the closest thing we've got to venues like Venice Beach or the subway platforms of New York City.
In a few weeks, Fourth Avenue will be consumed with Tucson's annual explosion of ghoulish street theater, the All Souls Procession.
The breathtaking event, inspired by Mexico's celebration of the Day of the Dead, is a massive free-for-all that will draw thousands of people to the Downtown area on Nov. 5.
In the meantime, plenty of street performers are in action on Fourth Avenue on any given day. The number of performers, whose abilities range from masterful to barely tolerable, can double or triple on weekends, especially now that the weather is cooler.
It was here on Fourth Avenue that Oliver — a transplant from Georgia whose nickname is Dusty Squirrelfisher — first met "Fiddlin' Phoenix," who was playing with the Ramblin' Ales at the time.
Said Oliver: "I was walking down Fourth on New Year's Eve, just checking out the street musicians. I came across the Ales, and they seemed like real nice folks. They had an extra mandolin sitting there, and they said I could jump on. We ended up doing a whole set."
The two have since honed their craft as a duo, the Dusty Buskers. They try to perform every Friday and Saturday afternoon, when there are plenty of people out and about but fewer of the unsavory types than at night.
Their chosen performance time also keeps the musicians free of conflict from their real jobs. Michael works as a teaching parent at the Arizona State Schools for the Deaf and the Blind, and Oliver is a sound technician and booking manager for the Hut on Fourth.
With the duo earning an average of $20-$30 a night performing on the street, full time jobs are a must.
"It is like we are paid to practice music on Fourth Avenue," Michael said. "We like to make bills, but that is not our primary objective. We like the attention and giving people something to do down here other than shop and eat."

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